Delightfully bonkers on the surface, this inventive extravaganza from the directing team called Daniels (Daniel Kwan and Daniel Scheinert) has a deep layer of family feeling and a well-earned emotional pull at the end. Michelle Yeoh is ideal and comically straight-faced as Evelyn, a harried laundromat owner with tax problems who enters a multiverse of alt-Evelyns. Exploding with colour, at times the film is a phantasmagoria of morphing identities and shifting universes – in one Evelyn does laundry, in another she's a movie star ­– yet it always remains true to its believably humane characters. It's the rare art film that can make audiences cry, and also rake in a ton of money, nearly $60 million at the US box office so far. (CJ)

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